Prelude: Deconstruction

Deconstruction is a term I'll be using often in these studies. The similarities between the Biblical record and the surrounding myths and legends of the contemporary peoples are being increasingly revealed. The critical school likes to see in this evidence that the Bible is just another myth, or is repeating pre-existing myths. My approach is that the Bible is indeed alluding to the myths and legends which Israel would have encountered, and showing which parts of them are true and which aren't; and especially, showing the utter supremacy of Israel's God over the supposed gods and demigods of other religions. The gods of the underworld, whose characteristics were slowly merged into the classical but mistaken images of 'Satan', are particularly singled out for allusion and deconstruction. The point of all the allusions to them is to deconstruct them and thus demonstrate their effective non-existence, in that their function in human life is in fact in the hands of Israel's God, Yahweh. Thus the Ninevites had grown up believing in Divine heroes being swallowed alive by monsters and yet emerging alive; and God chose to subvert that belief by making His man, Jonah, appear alive out of the large fish in order to witness His Truth to them. Viewed this way, the Hebrew Bible can be understood as an extended appeal to reject pagan notions of 'Satan' figures. This theme continues into the New Testament, whose language often alludes to incorrect beliefs [not least in demons] precisely in order to deconstruct them.

Stephanie Dalley has translated a text titled "Erra and Ishum" (24), dated by its colophon to the time of the Assyrian king Asshurbanipal. Erra was a name for the god of the underworld. There are amazing similarities between this document and the Biblical prophets, especially Nahum, who wrote in an Assyrian context. Following are just a sample (page numbers refer to Dalley):

"Because they no longer fear my name... I shall overwhelm his people" (p. 290) Mal 1:6; Num. 14:11

"Woe to Babylon!" (p. 304) Jer. 50:27; Nah. 3:1

"How could you plot evil for gods and men?" (p. 301) Is. 45:5-7

"Nobody can stand up to you in your day of wrath!" (p. 310) Nah. 1:6

"Erra became angry and set his face towards overwhelming countries and destroying their people, but Ishum his counsellor placated him so that he let a remnant." (p. 311) Ez. 6:8 etc.

"The mountains shake, the seas surge at the flashing of your sword..." (p. 302) Nah. 1:5

"Bright day will turn to darkness [before me]... I shall destroy the rays of the sun; I shall cover the face of the moon in the middle of the night" (pp. 292, 297) Am. 5:18; 8:9; Joel 3:15

"I shall sever the life of the just man... and the wicked man" (p. 298) "I will cut off from you both righteous and wicked" (Ez. 21:4) 

The Biblical allusions to this language is to show that Israel's God, as the one and only God, is the One to be feared, and not any god of the underworld, or 'Satan' figure. Alluding in this way to contemporary writings or ideas in order to deconstruct them was often done in Bible times; and it was done without as it were soecifically referencing the material being alluded to. This is what makes all such literature, the Bible included, so hard to interpret when we read it many centuries later without full access to nor appreciation of the material being alluded to. Such literary style was "a typical enough formula of the ancient Easter... Jahwism is forever pouring entirely new wine into the old bottles, and sooner or later, in many cases, these do indeed burst" (25). This effective re-writing of texts wasn't uncommon in the Biblical world. Wilfred Lambert has observed: "...the ancient world had no proper titles, no sense of literary rights, and no aversion to what we call plagiarism. Succeeding ages often rewrote old texts" (26). And again: "The authors of ancient cosmologies were essentially compilers. Their originality was expressed in new combinations of old themes, and in new twists to old ideas. Sheer invention was not part of their craft" (27). Donald Redford puts it like this: "The nature of Ancient Near Eastern writing proves unannounced quotation to have been the rule, not the exception" (28). The Gilgamesh Epic has been analyzed as evidencing "the adaptation of earlier works of various genres, some of which are employed within their new literary context in a manner contrary to their original intent" (29). The Bible is doing the same- but under Divine inspiration. And my point throughout these studies will be that it does so particularly with reference to false, if popular, ideas about evil, sin and 'Satan' figures. These ideas are alluded to, at times the language of the myths about them is used and effectively quoted, in order to invert and deconstruct those ideas. The text of the Hebrew Bible was initially given by God for the guidance of His people Israel, a largely illiterate group of people bombarded on every side by the myths and legends of the societies around them. And God through His word was speaking to those issues they faced, teaching them the true position, and revealing those false ideas for what they really were. And so it has been observed that "No one familiar with the mythologies of the primitive, ancient, and Oriental worlds can turn to the Bible without recognizing counterparts on every page, transformed, however, to render an argument contrary to the older faiths" (30).


Notes

(24) Stephanie Dalley, Myths From Mesopotamia, Creation, The Flood, Gilgamesh, And Others (Oxford: O.U.P., 1991).

(25) H. Renckens, Israel's Concept of the Beginning: The Theology of Genesis 1-3 (New York: Herder & Herder, 1964) p. 114.

(26) W. G. Lambert & A. R. Millard, Atra-Khasis, The Babylonian Story Of The Flood (Winona Lake, Indiana: Eisenbrauns, 1999) p. 5.

(27) Wilfred G. Lambert, "A New Look at the Babylonian Background of Genesis" in Richard S. Hess and David T. Tsumura, eds., I Studied Inscriptions From Before the Flood: Literary And Linguistic Approaches To Genesis 1 — 11 (Winona Lake, Indiana: Eisenbrauns, 1994) p. 107.

(28) Donald Redford, The Biblical Story of Joseph (Leiden: E.J. Brill, 1970) p. 109.

(29) C. L. Seow, "Qohelet's Autobiography" in Astrid B. Beck, ed., Fortunate The Eyes That See (Grand Rapids: Eerdmans, 1995) p. 285.

(30) Joseph Campbell, The Masks Of God: Vol. 3, Occidental Mythology (New York: Viking Arkana, 1991) p. 9.